RACHEL YEZBICK
2017
performed at the wulf at Coaxial on 10.11.17
sound by Eric Heep, performed by Carole Kim and Rachel Yezbick
Two performers grapple within an enclosed, transparent latex shell, as the sounds of latex on skin are amplified throughout the space. Using latex as a proverbial "skin", this piece looks at the yearning for shape and the resulting assault against the surface when the desired form is untenable. the ground beneath her feet takes its title from Salman Rushdie’s book of the same name, a novel that reflects on the trauma of breaking through into new worlds, metamorphoses and aspiration. “…we’re rushing back into our skins and war paint, postmodern into premodern, back to the future" (Rushdie 1999).
the wulf is an experimental music venue located in downtown Los Angeles.
Upcoming: ENCOUNTERS WITH DEATH: Social Media Stars and Deviants (tentative title) is a lecture-performance and online series presented from the perspective of a shattered reliquary.
As if we were not there (tentative title) is an experimental documentary that explores the pursuit of truth in investigative journalistic practice.
Politics of Immersive Experience (tentative title), a forthcoming book that looks at the links between ethnographic practice and immersive media technologies. Co-written with Julia Yezbick.
As if we were not there (tentative title) is an experimental documentary that explores the pursuit of truth in investigative journalistic practice.
Politics of Immersive Experience (tentative title), a forthcoming book that looks at the links between ethnographic practice and immersive media technologies. Co-written with Julia Yezbick.
Contact rachel.yezbick[@]gmail.com